[2003] Sidsel Endresen & Christian Wallumrød & Helge Sten - Merriwinkle


Collaboration between one of the figureheads of the current norwegian jazz scene, Christian Wallumrød (Christian Wallumrød Ensemble, Close Erase), Sidsel Endresen and Helge Sten (Deathprod's real name) in a free improvisation album with no lyrics, no sheets, no prior arrangements, but full of rich melodies and complex, unpredictable changes.Sidsel Endresen does a great job improvising vocals on the spot, making it seem as if she had been reciting, when it was a case of stream of consciousness. Christian and Helge /Deathprod took care of the synths and electronic arrangements respectively, giving the album an spastic feel.

Download it here: [V0]

Buy it directly from Jazzland Recordings here.

[2011] Æthenor - En Form For Blå


What was already shaping up on Faking Gold and Murder as a free improv/dark ambient ensemble comes in full force in En Form For Blå, with an added touch of abstraction. O'Malley, Noble, O'Sullivan and Rygg teamed up again in Norway to record this album which heavily hints to the norwegian avant-jazz/experimental scene, which is acknowledged in the linear notes. The guitars and synth improvisation has much more focus than in previous albums, in which it was kept low key to emphasize on the field recordings and vocalizations (in the case of Faking Gold and Murder).

Download it here: [320][V0]

Buy it directly from Boomkat here.

[REQUEST] [2008] Asva - Live In London, September 8, 2005


Latest (live) release of the most innovative drone-doom metal band of the recent times, Live In London,... is a recording of a show back in 2005, in which they performed the first song off Futurists Against The Ocean (Kill The Dog, Tie Them Up, And Take The Money) and the well-known song A Trap For Judges. Single song, 50min long.

Download it here: [192][V0]


Tour only material, limited to 150 copies.

[2007] Arve Henriksen - Strjon


This is the third release of the prominent norwegian musician Arve Henriksen (Food, Christian Wallumrød Ensemble), which drifts away a bit from the electronic influence of the debut and following album (Sakuteiki and Chiaroscuro respectively), and focus on the sultry trumpet sound he's known for. Very moody and spacious, it does what's expected from his regular works.

Download it here: [V0]

Buy it directly from Rune Grammofon here.

[2011] Faust - Something Dirty


One of my most expected releases for this year comes from the masterminds of the second official half of Faust, and their album Something Dirty. Radically different from last year's release (Faust Is Last), Péron's half leans more towards the psychedelic side of the original band (reminiscent of their s/t and Faust IV), making most of the songs included in this album more accessible (in the way Faust could allow itself) and less on the experimental side (yet unmistakenly focused on it, as usual), which was Joachim Irmler's half and their Faust Is Last's release. 13 tracks that remind ourselves of the krautrock gold era without any sort of revivalist complex that some bands are experiencing (talking about Amon Düül II), and definitely one of the most solid releases of this year, so far.

Download it here: [V0]

Buy it directly from Bureau B here.

[2009] Spunk - Kantarell


Latest Spunk album, is their most daring release so far, tuning down the vocal experimentation a notch and focusing on the brass instruments, straining the sounds at a vertiginous pace, and leaving a sense of tension through ever song. Sounds somewhat darker than their previous efforts, although the vocals retain a certain innocence that has become their own trademark sound.

Download it here: [320][V0]


Buy it directly from Rune Grammofon here.

[2010] Sailors With Wax Wings - Sailors With Wax Wings


What in my opinion was the best collaboration project back in 2010, Sailors With Wax Wings debut is one of the most interesting works I've listened so far in their style. Conformed by Ted Parsons (Swans, Jesu), Hildur Guðnadóttir, James Blackshaw (Brethen of The Free Spirit), Colin Marston (bassist of Gorguts, Dysrhythmia and Behold... The Arctopus), Aidan Baker (Nadja), Simon Scott (Slowdive), Prurient and the folks from Pyramids, this album shouldn't be considered as a mix of all the aforementioned bands, but a completely new sound that ranges from shoegaze, modern classical, drone music, neofolk at some parts, and post-rock ethos. Heavily layered and complex, there's not a single moment in this album that doesn't grab your attention with its melodic trance. Bearing a vague resemblance to the collab Pyramids + Nadja, this album explores that same dense atmosphere and gives it a larger range, allowing the listener to discover new parts of the whole at every new listen.

Download it here: [V0]


Buy it directly from Angel Oven Records here.

[2008] Runhild Gammelsæter - Amplicon


Runhild's (Thorr's Hammer, Khlyst, Sunn O)))) first solo album, following the theme of death and rebirth described in biology terms, and chaotic vocals breaking the opressing silence imposed on every song. Tore Ylvisaker (Ulver) remixed this album, comprised of captivating and menacing vocalizations in equal proportions.

Download it here: [V0]


Buy it directly from Utech Records here.

[2010] Human Intruder / Thou - A Faire Quarrel


Split between Thou and Human Intruder, a german sludge band who's planning a full length debut called Approved Methods for Annihilation, likely to be released sometime this year. Short split release, typical Thou delivery (quality band) and a Human Intruder song (also their first official release) that may as well serve as an intro, but so far it gives a really good idea on how it's going to turn out in the future.

Download it here: [320][V0]

Unavailable through Dead Earth Records. Buy it from Gilead Media here.

[2006] Machinefabriek - Marijn


Debut album of Rutger Zuydervelt's (experimental musician from Netherlands) solo project, which has released under this monicker countless of EP's, and a sizeable amount of collaborations and splits with other artists. Most of his works (including this one) make an extensive use of field recordings manipulation, creating a particular aura that could be described as a "sonic film". Firmly rooted into ambient and drone music, his works are mostly comprised of seemingly natural sounds laced with harsh electronic bursts.

Download it here: [V0]

Buy it directly from Burning World Records here.

[2008] Gunslingers - No More Invention


Formed by one of the members of the krautrock band Aluk Todolo, Antoine Hadjioannou (drums), Gunslingers is an insane mix of psychedelic madness with the careless attitude of post-punk, which resembles in some ways the krautrock movement but retaining a garage/DIY aesthetic. At a first listen it reminds a lot of Aluk Todolo's Obedience, the same fast drumming along with the wall of guitars strolling around, but in this case vocals play an important role in the upbeat tone of this album. All in all a noteworthy debut, full of catchy songs and trippy vocals.

Download it here: [V0]

Buy it directly from World In Sound here (check the Catalog >> CD/Vinyl).

[2002] Food - Veggie



This is the third album of another one of the many bands Arve Henriksen (Supersilent, Christian Wallumrød Ensemble) is part of. Food combines jazz with electronic elements, and the same way lots of bands from the norwegian scene, this is a true display of talent. The reason why I decided to review and post Veggie (their third album) instead of their debut was because of the motifs present in this one (specially in songs like Mushroom, one of my favorites), and thew way the electronic bits intervene with the recurrent improvised sections, which are brought from the background after every brass motif. Excellent group to get started with the norwegian nu-jazz scene.

Download it here: [320][V0]


Buy it directly from Rune Grammofon here.

[2001] Tactile Gemma - Tactile Gemma


Back when I was younger and I had barely started going to highschool (10 years ago), I became obsessed with the local metal subculture, and considering mine never really had a strong representation of the genre, it was a breath of fresh air to bump into new, exciting bands from other places from time to time. It was back then, however, when I discovered a band completely outside of the metal genre, that marked a before and after in my music appreciation.
Tactile Gemma was featured on several metal magazines back then as a side-project of the vocalists from The 3rd and The Mortal and Atrox, and it was sort of expected to offer a similar vibe akin to these bands, that is, gothic/prog metal with weird touches here and there. Like many of us back then, I was wrong. Tactile Gemma is one of the most unique, weirdest bands I've encountered, and while it could be classified within darkwave/trip-hop, Ann-Marie and Monika Edvarsen's vocals were way too out there, shrieking and screaming in a way only singers in the vein of Diamanda Galás and Catherine Jauniaux are capable of doing.

The band released only one album, which I learned about through the name of Psychedelic Heavenly Voices. Nowadays is simply known as Tactile Gemma, and it has remained on hold since then. This is truly hypnotic music, which shows how talented these musicians were. Season of Mist took pride on the fact that they released this album even though they're "strictly a death/black metal label". I don't see what's the big deal about that to be honest, but whatever floats their boat.

Download it here: [V0]


Buy it directly from Season of Mist here.

[2008] Z'EV vs PITA - Colchester


Another Z'EV collaboration, in this case he teams up with Pita (KTL), which has released plenty of solo albums and collaborations with other musicians of the experimental scene. This is a live recording of a Colchester (England) show from 2006, in which Z'EV focused on the live percussion improvisation while Pita worked on the foggy, sonic atmosphere surrounding the stage. Incredible sounding material.

Download it here [V2][V0]

Sold out at Editions Mego.

[2007] Stephen O'Malley & Z'EV - Magistral


Revolving around some guitar samples recorded back in 2005, Stephen O'Malley and Z'EV created this album using percussion arrangements and sample manipulation over the same 8m42s guitar recording, making it sound completely different to what's expected from the artists involved. Closer to the rumbling, overbearing sonic landscape from KTL, this album is also one of the most "out there" releases ever made by Southern Lord.

Download it here: [V0]


Buy it directly from Southern Lord here.