3 years after their amazing self-titled album, Blood Ceremoony's sound has definitely matured and dwelved into heavier territories. Their Jethro Tull-influenced style brought by Alia O'Brien's amazing flute now is toned down a bit to allow the heavy doom metal riffing to fully shine, while her vocals display more personality and range than they used to, specially in Night of Augury, in which the occult, 70's psychedelic vibe is accentuated at great extents. The real highlight of the album is, however, Daughter of The Sun, in which guitars, synths and flute go into a psychedelic wormhole, the perfect closure for this release, that could be considered well ahead their self-titled.
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